hell and purgatoryの例文

• She related that she had witnessed Heaven, Hell and Purgatory.
• Amongst them is Virgil, Dante's guide through Hell and Purgatory.
• The final location of " Titanic ", in the abyss down, was interpreted as a metaphor for hell and purgatory, the Christian Abyss.
• They mostly clustered around the illustrations of hell and purgatory : the densest images, with swarming figures, flaming pits, halcyon fields and endless explanatory wall labels.
• The movie, which opens Friday in New York and Los Angeles, was to be the first part of a trilogy conceived by Kieslowski on heaven, hell and purgatory.
• Thanks to the patience of my occasional tutors, Tiziana and Filipo, I can plod through Hell and Purgatory on my way to Paradise with the aid of a dictionary today.
• Kieslowski and lawyer Krzysztof Piesiewicz, who wrote or co-wrote screenplays for most of his movies, were recently working on a story for another trilogy, " Heaven, Hell and Purgatory,"
• Virgil's work has had wide and deep influence on Western literature, most notably Dante's " Divine Comedy ", in which Virgil appears as Dante's guide through hell and purgatory.
• Reign In Hell " ( August 2008-April 2009, missing September ) eight-issue mini-series featured all-out war between Hell and Purgatory and re-defined Hell in DC comics continuity.
• In this sense, it is similar to purgatory, but unlike both Abrahamic hell and purgatory, there is no divine force involved in determining a being's entry and exit to and from the realm and no soul is involved.
• In Dante Alighieri's work The Divine Comedy, Dante ( the author ) is guided through Hell and Purgatory by Virgil, whose work deeply inspired Dante, and Heaven by Beatrice Portinari, Dante's ideal of perfect love.
• Traditionally, Dante studies have focused on two guides : Virgil leads Dante through Hell and Purgatory, and Beatrice appears in the Terrestrial Paradise near the end of Purgatorio, where she replaces Virgil and becomes Dante s guide through the spheres of Paradiso.
• His retelling of the biblical stories and ancient legends exemplify medieval imagination : Divkovi
  's didactic prose is saturated with fiery images of hell and purgatory for sinners and paradisical bliss for the just; also, his sermons abound with the tales of the miraculous and the supernatural.
• The story is set in a world called R閟urrection, which is often called Hell ( however, it seems more like a mixture of Hell and Purgatory, as everyone seems to land in there  even " innocent victims " and the only known way to leave it is through purification or redemption, by being " expired " or " expiring " one's tormentor ).